Expo 2025 Osaka

The Japanese city, Osaka hosts the next World Expo in 2025, from April 13 to October 13. The organizers expect to welcome over 28 million visitors during the 6-month (184-day) event, with 80% of the visitors expected to come from Japan and the East Asian region. The Osaka World Expo features representatives from 160 countries and 8 international organizations.

The organizers have chosen a special location for the Expo, the artificial island called Yumeshima. The architectural concept is the responsibility of Sou Fujimoto, who also designed the House of Hungarian Music.

Courtesy of the Japan Association for the 2025 World Exposition

The central theme of the Expo is “Designing Future Society for Our Lives,” aimed at creating a more sustainable world. Within this central theme, the organizers have defined three sub-themes: “Saving Lives,” “Empowering Lives,” and “Connecting Lives.” In addition to the participant countries’ pavilions and permanent exhibitions striving to connect with these ideas in the most diverse and creative ways, the World Expo will also address these topics through various professional programs.

A successful Hungarian presence at the Osaka World Expo 2025 is a national interest and holds significant importance for building the image of our country. Held every five years, the Expo is one of the three most influential global economic and cultural events, with nearly every country represented. Participation offers a unique opportunity from diplomatic, economic, and tourism perspectives, and it also helps enhance the international reputation of Hungarian knowledge and creativity.

About the World Expo’s history and the Hungarian presence in short

The Expos, held every five years, are the world’s most significant tourist, economic, and cultural events. The goal of the World Expos is to provide a platform for future-shaping innovations, showcase the achievements of nations, and support the meeting of cultures, as well as the strengthening of economic and diplomatic relations among the participants.

The general world exhibition (expo), envisioned by Prince Albert, was first brought to fruition in London in 1851. Its primary goal was to showcase all human creations that serve progress in one place, for the education of both general visitors and professionals from various sectors.

1851 – London – By Read Co. Engravers Printers – View from the Knightsbridge Road of The Crystal Palace in Hyde Park for Grand International Exhibition of 1851. Dedicated to the Royal Commissioners., London: Read Co. Engravers Printers, 1851., Public Domain, https://commons.wikimedia.org/w/index.php?curid=48718934

The first world’s fair was a tremendous success – it launched a series of events that continue to thrive today, just as they did in the mid-1800s. Since the inaugural event in 1851, the success of world’s fairs has remained unbroken, though their character has gradually evolved. Initially, during the industrialization era, the main focus of the events was on commerce and the primary goal was to showcase technological inventions and developments. Inventions like the telephone were presented to the public here, and the expo’s current reputation was established during this time. Over time, the emphasis of the world’s fairs shifted: the expos began to center around specific themes of cultural significance and sought to address contemporary human issues. The dialogue between cultures and the discussion of solutions became a defining element of the exhibitions. Today, participants view world’s fairs as an opportunity for national representation. Nation branding and shaping the image of their country have become as important to the participating countries as cultural dialogue and showcasing innovations. Modern world’s fairs strive to represent all three directions: they present new inventions, facilitate cultural exchange thematically, and provide an opportunity for nations to showcase themselves.

Timeline

1851 – 2025 

London – Osaka

Source:
Wikipedia

1851 - London - By Read & Co. Engravers & Printers - View from the Knightsbridge Road of The Crystal Palace in Hyde Park for Grand International Exhibition of 1851. Dedicated to the Royal Commissioners., London: Read & Co. Engravers & Printers, 1851., Public Domain, https://commons.wikimedia.org/w/index.php?curid=48718934

1851

London

Industry of all Nations

1855 - Paris - By Jean-Marie-Victor Viel (31 December 1796 – 7 May 1863), architectAlexandre Barrault (9 September 1812 – 18 November 1863), engineerEngraver not identified - Derivative of File:Die Gartenlaube (1855) b 181.jpgThe light levels were adjusted., Public Domain, https://commons.wikimedia.org/w/index.php?curid=19766361

1855

Paris

Agriculture, Industry and Arts

1862 - London - See page for author, Public domain, via Wikimedia Commons

1862

London

Industry and Arts

1867 - Paris - By Unknown/ Parisienne de photographie. Own photograph at the Conciergerie - Own photograph at the Conciergerie, Paris., Public Domain, https://commons.wikimedia.org/w/index.php?curid=5869920

1867

Paris

Agriculture, Industry and Arts

1873 - Vienna - By n/a; original upload by User Newfoundlanddog on de.wikipedia - Stadtchronik Wien, Verlag Christian Brandstätter, page 316, Public Domain, https://commons.wikimedia.org/w/index.php?curid=714466

1873

Vienna

Culture and Education

1876 - Philadelphia - By James D. McCabe - McCabe, James Dabney "The Illustrated History of the Centennial Exposition Held In Commemoration of the One Hundredth Anniversary of American Independence". Philadelphia:The National Publishing Company. 1876 (opposite p. 12)"The Cooper Collections of U.S. History" (uploader's private collection)High resolution version of the engraving digitized and uploaded by Bruce C. Cooper (User:Centpacrr), Public Domain, https://commons.wikimedia.org/w/index.php?curid=20251367

1876

Philadelphia

Arts, Manufactures and Products of the Soil and Mine

1878 - Paris - By Unknown author - This image is available from the United States Library of Congress's Prints and Photographs divisionunder the digital ID ppmsc.05214.This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing., Public Domain, https://commons.wikimedia.org/w/index.php?curid=303523

1878

Paris

New Technologies

1880 - Melbourne - By The Australasian Sketcher - https://www.leski.com.au/m/lot-details/index/catalog/60/lot/89390/ENGRAVINGS-from-The-Australasian-Sketcher-comprisng-8-June-1878-Prize-Design-for-the-Melbourne-International-Exhibition-Building-30-Aug-1879-The-Works-at-the-Melbourne-International-Exhibition-showing-the-building-under-construction-Both-window-mounted-various-sizes-the-first-hand-coloured?url=%2Fm%2Fview-auctions%2Fcatalog%2Fid%2F60%3Fpage%3D4%26view%3Dlist, Public Domain, https://commons.wikimedia.org/w/index.php?curid=90569823

1880

Melbourne

Arts, Manufactures and Agricultural and Industrial Products of all Nations

1888 - Barcelona - By Unknown author - AA.VV., Gaudí 2002. Misceŀlània, Ed. Planeta, Barcelona (2002), ISBN 84-9708-093-9, Public Domain, https://commons.wikimedia.org/w/index.php?curid=4611698

1888

Barcelona

Fine and Industrial Art

1889 - Paris - By M.S. (monogramme), dessinateurImprimerie A. Maulde et Cie, imprimeurUnknown author - Musée Carnavalet, Public Domain, https://commons.wikimedia.org/w/index.php?curid=4231834

1889

Paris

Celebration of the French Revolution

1893 - Chicago - The Field Museum Library, No restrictions, via Wikimedia Commons

1893

Chicago

Discovery of America

1900 - Paris - By This image is available from the Brown University Library under the digital ID 1303835094593752., Public Domain, https://commons.wikimedia.org/w/index.php?curid=24651743

1900

Paris

19th Century: an overview

1904 - Saint Loius - By Alphonse Mucha - Library of St. Louis, Public Domain, https://commons.wikimedia.org/w/index.php?curid=61961594

1904

Saint Loius

Louisiana Purchase

1906 - Milan - Di anonimo - Historia Anno II Aprile 1958 N.5, nell'articolo "L'Esposizione di Milano", Pubblico dominio, https://it.wikipedia.org/w/index.php?curid=2383664

1906

Milan

Transport

1911 - Turin - Di Paolocuccu - Opera propria, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=11204363

1911

Turin

Exposition of Industry and Labor

1929 - Barcelona - De Desconocido - Grandas, M. Carmen (1988). L'Exposició Internacional de Barcelona de 1929. Els llibres de la frontera, Sant Cugat del Vallès. ISBN 84-85709-68-3., Dominio público, https://commons.wikimedia.org/w/index.php?curid=8884090

1929

Barcelona

Arts, Industry and Sport

1935 - Brussels - By Édition Nouvelle - Bruxelles (photographe inconnu) - Carte postale - Postcard - Postkaart - Postkarte, Public Domain, https://commons.wikimedia.org/w/index.php?curid=28148164

1935

Brussels

Transports

1937 - Paris - By Séeberger frères / Centre des monuments nationaux, Licence Ouverte, https://commons.wikimedia.org/w/index.php?curid=84250653

1937

Paris

Arts and Technology in modern life

1939 - New York - By Gottscho-Schleisner, Inc., photographer - This image is available from the United States Library of Congress's Prints and Photographs divisionunder the digital ID gsc.5a03061.This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing., Public Domain, https://commons.wikimedia.org/w/index.php?curid=17400323

1939

New York

Building The World of Tomorrow

1958 - Brussels - By Harry Pot / Anefo - http://proxy.handle.net/10648/a97a6802-d0b4-102d-bcf8-003048976d84, CC0, https://commons.wikimedia.org/w/index.php?curid=65255726

1958

Brussels

A World View: A New Humanism

1964 - New York - By Anthony Conti; scanned and published by PLCjr from Richmond, VA, USA - NY World's Fair 1964-1965, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=17263319

1964

New York

Man in the Space Age

1967 - Montreal - By Laurent Bélanger - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=30756252

1967

Montreal

Man and His World

1970 - Osaka - takato marui - originally posted to Flickr as Ontario Pavilion, CC 表示-継承 2.0, https://commons.wikimedia.org/w/index.php?curid=10554777による

1970

Osaka

Progress and Harmony for Mankind

1985 - Tsukuba - つくば市, CC 表示 4.0, https://commons.wikimedia.org/w/index.php?curid=144958899による

1985

Tsukuba

Dwellings and Surroundings – Science and Technology for Man at Home

1986 - Vancouver - By JERRYE AND ROY KLOTZ MD - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=24748599

1986

Vancouver

Transportation and Communication: World in Motion – World in Touch

1988 - Brisbane - By Brisbane City Council - Expo 88, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=23613602

1988

Brisbane

Leisure in the age of Technology

1992 - Sevilla - Par Daniel Villafruela, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=17053802

1992

Sevilla

The Era of Discovery

2000 - Hanover - Von Jan-Herm Janßen - Eigenes Werk, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=134535057

2000

Hanover

Man, Nature, Technology

2005 - Aichi - CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=119143

2005

Aichi

Nature's Wisdom

2010 - Shanghai - Par lucia wang — originally posted to Flickr as IMG_3551, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=10278331

2010

Shanghai

Better City, Better Life

2015 - Milan - Autor: Sailko – Vlastní dílo, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=44332305

2015

Milan

Feeding the Planet, Energy for Life

2020 - Dubai - By Palácio do Planalto from Brasilia, Brasil - 15/11/2021 Expo Dubai 2020, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=112545319

2020

Dubai

Connecting Minds, Creating the Future

2025 - Osaka - expo2025.or.jp

2025

Osaka

Designing Future Society for Our Lives

So, events have always offered chances for growth and progress for those who have explored the vast halls of exhibitions with opened eyes. Today’s modern world expositions also seek to provide space for innovations, groundbreaking achievements by nations, and to promote cultural encounters, strengthening economic and diplomatic relations among participants.

Hungary has been an active participant in world expos since 1851. Just two years after the suppression of the 1848-1849 revolution, Hungarian craftsmen were eager to showcase their products. However, the real breakthrough came with the 1900 Paris Expo, where Hungary presented its first completely independent national pavilion, spanning over 10,000 square meters. The installation, reflecting the Art Nouveau movement of the time and based on Hungarian motifs, won the grand prize of the exhibition.

In the more than 170 years since the first world exposition, Hungary has consistently prioritized its representation at these significant events, with our pavilions regularly achieving great international success. We have showcased innovations such as Ábrahám Ganz’s chilled cast iron railway wheel and Ányos Jedlik’s paper-cell batteries. Our excellent Hungarian wines and grains have been a source of pride, and numerous outstanding literary and visual artworks have debuted at these events. Iconic Hungarian brands like Herendi, Zwack, Zsolnay, Pick, Globus, Kristályvíz, and Dreher have also been introduced to the international audience. Additionally, one of the modern era’s remarkable scientific sensations, the Hungarian Gömböc, was displayed at the Shanghai Expo.